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Advanced Language & Literature
Strong Roots for AP®, College, and BeyondThird Edition| ©2026 Renee H. Shea; John Golden; Carlos Escobar; Tiffany Thomas
The third edition of Advanced Language & Literature, is designed specifically to prepare students for AP® English, college, and beyond. The authors are deeply committed to the idea that equity of access requires equity of preparation. And that means helping ALL students gain the s...
The third edition of Advanced Language & Literature, is designed specifically to prepare students for AP® English, college, and beyond. The authors are deeply committed to the idea that equity of access requires equity of preparation. And that means helping ALL students gain the skills, background knowledge, and confidence to walk into either an AP® or a college English course in the future knowing that they belong there and can be successful. This book has everything you need and more:
- Brief, approachable, activity-driven opening chapters (Chs. 1-4)
- Thematic anthology chapters (Chs. 5-12)
- Spiraled, scaffolded skill development throughout the book
- Fresh and engaging texts for tenth grade students.
- Each thematic chapter has three text sections of increasing complexity that allow you to tailor curricular choices to students’ needs and interests.
- Skill Workshops open and anchor each chapter with essential skill reinforcement.
- Writing Workshops take students from reading to writing. These process workshops walk students step-by-step through constructing a full essay centered on the skill focus of the chapter.
- Texts in Conversation
- Exploring Beyond Literature and Exploring Beyond Nonfiction
- Post-reading questions
- Plenty of support and enrichment for ALL students, including Key Context notes and a new Building Vocabulary feature with every reading — a set of essential, often cross-curricular vocabulary terms presented at the start of each text — perfect for pre-teaching the words students will encounter.
- Extending Beyond the Text features offer authentic engagement and ready-made enrichment.
- Every visual text in this book serves a clear, authentic instructional purpose.
- Revision and Grammar Workshops offer targeted help when and where students need it.
Institutional Prices
Take ALL your students to the next level!
The third edition of Advanced Language & Literature, is designed specifically to prepare students for AP® English, college, and beyond. The authors are deeply committed to the idea that equity of access requires equity of preparation. And that means helping ALL students gain the skills, background knowledge, and confidence to walk into either an AP® or a college English course in the future knowing that they belong there and can be successful. This book has everything you need and more:
- Brief, approachable, activity-driven opening chapters (Chs. 1-4)
- Thematic anthology chapters (Chs. 5-12)
- Spiraled, scaffolded skill development throughout the book
- Fresh and engaging texts for tenth grade students.
- Each thematic chapter has three text sections of increasing complexity that allow you to tailor curricular choices to students’ needs and interests.
- Skill Workshops open and anchor each chapter with essential skill reinforcement.
- Writing Workshops take students from reading to writing. These process workshops walk students step-by-step through constructing a full essay centered on the skill focus of the chapter.
- Texts in Conversation
- Exploring Beyond Literature and Exploring Beyond Nonfiction
- Post-reading questions
- Plenty of support and enrichment for ALL students, including Key Context notes and a new Building Vocabulary feature with every reading — a set of essential, often cross-curricular vocabulary terms presented at the start of each text — perfect for pre-teaching the words students will encounter.
- Extending Beyond the Text features offer authentic engagement and ready-made enrichment.
- Every visual text in this book serves a clear, authentic instructional purpose.
- Revision and Grammar Workshops offer targeted help when and where students need it.
Features
- Brief, approachable, activity-driven opening chapters (Chs. 1-4) lay the groundwork for the skills students will develop and master throughout tenth grade.
- Thematic anthology chapters (Chs. 5-12) support a full language arts curriculum. Organized by theme, these chapters intentionally alternate between literature and nonfiction, and each one has a corresponding skill focus.
- Spiraled, scaffolded skill development throughout the book offers a variety of resources to help identify needs, introduce key skills, deepen skill development, and build mastery through practice.
- Fresh and engaging texts for tenth grade students.
- Each thematic chapter has three text sections of increasing complexity that allow you to tailor curricular choices to students’ needs and interests.
- Skill Workshops open and anchor each chapter with essential skill reinforcement. These workshops include a series of activities designed to introduce students to the essential aspects of the chapter’s skill focus through a short, engaging, grade-level text.
- Writing Workshops take students from reading to writing. These process workshops walk students step-by-step through constructing a full essay centered on the skill focus of the chapter.
- Texts in Conversation sections foster academic dialogue. Instead of seeing each text in the chapter in isolation, this feature encourages students to make connections among the texts they’ve read and ideas in the real world.
- Exploring Beyond Literature and Exploring Beyond Nonfiction features foster deeper connections to enduring themes.
- Post-reading questions offer targeted practice for key reading and writing skills. The readings in the thematic chapters are accompanied by questions designed to support and challenge students as they engage with the texts.
- Plenty of support and enrichment for ALL students, including Key Context notes and a new Building Vocabulary feature with every reading — a set of essential, often cross-curricular vocabulary terms presented at the start of each text — perfect for pre-teaching the words students will encounter.
- Extending Beyond the Text features offer authentic engagement and ready-made enrichment.
- Every visual text in this book serves a clear, authentic instructional purpose.
- Revision and Grammar Workshops offer targeted help when and where students need it.
New to This Edition
- NEW! Two new chapters zoom in on essential skills for tenth grade and beyond. Chapter 1: Essential Skills covers the basics of what students will be doing in English class, including annotation, discussion, paragraph writing, and goal setting. Chapter 4: Academic Writing identifies and gives students the opportunity to practice key writing skills, including understanding a prompt, writing a thesis, organizing an essay, evaluating sources, and more.
- REVAMPED! A streamlined, easy-to-use opening skill-building chapter structure. In this edition, it’s easier than ever to teach these chapters your way. The four opening chapters are broken out into short numbered sections that can stand alone or can be easily integrated into your units at any time of the school year. The pedagogy still builds and scaffolds across each chapter, but working with bite-size sections to tailor instruction is now a breeze.
- NEW! Fresh, engaging themes in the anthology chapters (Chapters 5–12). The third edition features three new and exciting themes: Humanity (Chapter 7), Value (Chapter 9), and Imagined Futures (Chapter 10).
- NEW! Nearly one hundred new readings in the new edition. While this book still has plenty of classics from authors such as William Shakespeare, Virginia Woolf, Claude McKay, Ursula K. Le Guin, and Kurt Vonnegut, it now also features work from exciting contemporary voices such as Jonathan Haidt, Greta Thunberg, Yuval Noah Harari, Xochitl Gonzalez, Tobi Ogundiran, Rhiannon Giddens, and Ken Liu.
- NEW! A robust Building Vocabulary feature with every reading. This edition’s expanded vocabulary support was created with ALL students in mind. Vocabulary is listed prior to every reading and highlighted within the readings — plus, there are even more vocabulary questions after the readings for targeted skill practice.
- NEW! Public speaking coverage. Instruction and practice opportunities for public speaking and oral defense have been added to every writing workshop in the book. This added layer of support is especially helpful for building AP® Seminar course skills.
- NEW! Exploring Beyond Literature and Exploring Beyond Nonfiction sections close out each anthology chapter. These paired texts build a bridge to the next chapter, offering opportunities to apply important skills to additional genres of writing.
“As with previous editions, I think this book provides a well-rounded look at everything a teacher might need / want to cover in 10th grade. The texts and topics are engaging, and push students to do real thinking. If you wanted to rely on the textbook as your "curriculum map" for what to teach all year long, you could absolutely do so, knowing that you're teaching the course with integrity and rigor.” –Jennifer Letus, Royal High School, CA
“It's a great way to get students engaged in interesting, relevant texts, while still making sure that I, as a teacher, am able to make sure they're diving deep into important skills.” – Alexandria Creech, Bradford Preparatory School, NC
“I think that Advanced Language and Literature does a great job at supporting my students and providing them with reference materials. It's a textbook that my students gravitate toward on their own when they have questions or need additional guidance rather than just a teacher-based guide for the class.” – Elizabeth Ladwig, Concordia Lutheran High School, IN
“This is a great resource for getting students the skills necessary for success in AP Seminar.” – Kathleen Martin, Idea Carver College Prep, TX
“I think this text would offer a nice scaffolding to my AP Language and Composition course. It would help prepare students for the refinement of skills that it introduces, and offer a nice mix of resources to introduce those skills and concepts.” – Pamela Dellinger, Marion High School, SC


Advanced Language & Literature
Third Edition| ©2026
Renee H. Shea; John Golden; Carlos Escobar; Tiffany Thomas
Digital Options

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Advanced Language & Literature
Third Edition| 2026
Renee H. Shea; John Golden; Carlos Escobar; Tiffany Thomas
Table of Contents
1 Essential Skills
1.1 Thinking about English Class
ACTIVITY Thinking about English Class
1.2 Making Connections to Yourself and to Others
1.2a Knowing Yourself
Nikki Giovanni, Knoxville, Tennessee
1.2b Knowing Others
ACTIVITY: Making Connections to Yourself and to Others
1.3 Reading Actively
1.3a Annotating Texts
1.3b Model Annotation
Rutger Bregman, from Utopia for Realists: How We Can Build the Ideal World
1.3c Considering Context
1.3d Making Meaning from Texts
ACTIVITY Reading Actively
Aimee Nezhukumatathil, On Listening to Your Teacher Take Attendance
1.4 Understanding Vocabulary in Context
ACTIVITY Understanding Vocabulary in Context
Nicola Davis, from New Hope of Finding Life on Mars After Indication of Water, Scientists Say
Andy Weir, from The Martian
1.5 Writing Academic Paragraphs
ACTIVITY Writing an Academic Paragraph
1.6 Listening Actively
ACTIVITY Listening Actively
1.7 Engaging in Academic Conversations
ACTIVITY Engaging in Academic Conversations
Adam Grant, from Hidden Potential
1.8 Setting Academic Goals
ACTIVITY Setting Academic Goals
2 Literature
2.1 Thinking about Literature
ACTIVITY Thinking about Literature
Shirley Jackson, from The Haunting of Hill House
2.2 Identifying Theme in Literature
ACTIVITY Identifying Theme in Literature
2.3 Annotating for Theme
2.3a Model Analysis and Interpretation
William Blake, The Tyger
ACTIVITY Annotating for Theme
Naomi Shihab Nye, Famous
2.4 Understanding Elements of Fiction
2.4a Point of View
2.4b Characterization
2.4c Plot and Conflict
2.4d Setting
2.4e Symbolism
ACTIVITY Understanding Elements of Fiction
2.5 Connecting Elements of Fiction to Theme
2.5a Model Analysis
George Saunders, Sticks
ACTIVITY Connecting Elements of Fiction to Theme
Nathaniel Hawthorne, from The Scarlet Letter
2.6 Discussing Interpretations of Literature
ACTIVITY Discussing Interpretations of Literature
Mona Gardner, The Dinner Party
2.7 Understanding Elements of Drama
ACTIVITY Understanding Elements of Drama
Lorraine Hansberry, from A Raisin in the Sun
2.8 Reading Poetry
ACTIVITY Reading Poetry
William Carlos Williams, The Red Wheelbarrow
2.9 Considering Shifts in Poetry
ACTIVITY Considering Shifts in Poetry
Rachel Hadas, The Red Hat
2.10 Discussing Speaker in Poetry
ACTIVITY Discussing Speaker in Poetry
José Olivarez, Home Court
2.11 Thinking about Poetic Structure
William Shakespeare, Sonnet 116
2.11a Lines and Stanzas
2.11b Rhyme
2.11c Meter
2.11d Form
ACTIVITY Thinking about Poetic Structure
A. E. Stallings, The School of Dreams
2.12 Considering Sound in Poetry
ACTIVITY Considering Sound in Poetry
Phillis Wheatley Peters, On Being Brought from Africa to America
2.13 Connecting Elements of Poetry to Theme
2.13a Model Analysis
Christopher Marlowe, The Passionate Shepherd to His Love
ACTIVITY Connecting Elements of Poetry to Theme
Emily Pauline Johnson, Marshlands
2.14 Understanding Language and Style
Ted Kooser, After Years
2.14a Diction
2.14b Syntax
2.14c Figurative Language
2.14d Imagery
ACTIVITY Understanding Language and Style
Edna St. Vincent Millay, from Renascence
2.15 Analyzing Style and Tone
2.15a Model Analysis
Olga Tokarczuk, from Flights
ACTIVITY Analyzing Style and Tone
Paul Laurence Dunbar, Sympathy
2.16 Analyzing Style and Theme
2.16a Model Analysis
Debora Kuan, Magic Lesson
ACTIVITY Analyzing Style and Theme
Chinua Achebe, from Things Fall Apart
2.17 Analyzing Visual Art
ACTIVITY Analyzing Visual Art
Archibald John Motley Jr., Town of Hope
Mary Cassatt, Summertime, 1894
Jaschi Klein, Konferenzen 17
3 Argument and Rhetoric
3.1 Recognizing Argument and Rhetoric
ACTIVITY Recognizing Arguments
3.2 Identifying Claims
ACTIVITY Identifying Claims
Joyce Kazman Valenza and Debra Kachel, from It’s About Equity
Anthony Chow, from A User- and Community-Centered Perspective
3.3 Analyzing the Rhetorical Situation
ACTIVITY Analyzing the Rhetorical Situation
Ronald Reagan, Challenger Speech
3.4 Considering a Text’s Evidence
ACTIVITY Considering a Text’s Evidence
Jessica Luther and Kavitha A. Davidson, from Loving Sports When They Don’t Love You Back
3.5 Detecting Bias
Activity: Detecting Bias
Phil Knight, from Shoe Dog: A Memoir by the Creator of Nike
3.6 Identifying Rhetorical Appeals
3.6a Logos
3.6b Pathos
3.6c Ethos
ACTIVITY Identifying Rhetorical Appeals
3.7 Examining Counterarguments
ACTIVITY Examining Counterarguments
Jonathan Haidt, from The Anxious Generation: How the Great Rewiring of Childhood Is Causing an Epidemic of Mental Illness
3.8 Discussing Differences of Opinion
ACTIVITY Discussing Differences of Opinion
3.9 Understanding Logical Fallacies
ACTIVITY Understanding Logical Fallacies
3.10 Considering Style in an Argument
3.10a Connotative Language
3.10b Figurative Language
3.10c Allusion
3.10d Parallel Structure
3.10e Rhetorical Questions
ACTIVITY Considering Style in an Argument
Elie Wiesel, from Nobel Prize Speech
3.11 Analyzing and Interpreting an Argument
3.11a Model Analysis and Interpretation
Ursula K. Le Guin, from A Left-Handed Commencement Address
ACTIVITY Analyzing and Interpreting an Argument
Arwa Mahdawi, Forget the 5 a.m. Starts! Night Owls Like Me Possess the Real Secret of Success
3.12 Analyzing and Interpreting Visual Arguments
3.12a Images as Arguments
Jacob Riis, How the Other Half Lives: Studies among the Tenements of New York
ACTIVITY Interpreting Visual Arguments
4 Academic Writing
4.1 Recognizing the Writing Situation
4.1a Role
4.1b Audience
4.1c Format
4.1d Task
4.1e Tone
4.1f RAFT-T: Writing Situation Elements Together
ACTIVITY Recognizing the Writing Situation
4.2 Understanding a Prompt
ACTIVITY Understanding a Prompt
4.3 Writing a Thesis Statement
ACTIVITY Writing a Thesis Statement
4.4 Planning an Essay
ACTIVITY Planning an Essay
4.5 Writing Introduction Paragraphs
ACTIVITY Writing Introduction Paragraphs
4.6 Evaluating Sources
ACTIVITY Evaluating Sources
Salman Khan, from Brave New Words
4.7 Using Evidence and Commentary
4.7a Evidence
4.7b Commentary
ACTIVITY Using Evidence and Commentary
4.8 Integrating Sources
4.8a Integrating Summaries and Paraphrases
4.8b Integrating Quotations
ACTIVITY Integrating Sources
Joshua R. Eyler, from Failing Our Future
4.9 Synthesizing Sources
Amanda Ripley, from School Should Be About Learning, Not Sports
Frederick M. Hess and Amy Cummings, from The Misguided Sliming of High School Sports
H.G. Bissinger, from Friday Night Lights
ACTIVITY Synthesizing Sources
1. from The Guardian View on Meat: We Need to Eat Less of It
2. Lynne Curry, from The “Eat Less Meat” Movement Is Growing. Does It Distort Science?
3. Frank M. Mitloehner, from Yes, Eating Meat Affects the Environment, But Cows Are Not Killing the Climate
4.10 Writing Conclusion Paragraphs
ACTIVITY Writing Conclusion Paragraphs
4.11 Finalizing an Essay
4.11a Receiving Feedback
4.11b Revising an Essay
4.11c Editing an Essay
ACTIVITY Finalizing an Essay
4.12 Defending Your Writing
ACTIVITY Defending Your Writing
5 Changing the World
Skill Workshop: Understanding Personal Experience in Argument
Malala Yousafzai, Speech to the United Nations Youth Assembly
Section 1
Noah Berlatsky, Let 16-year-olds Vote
Vicki Abeles, Why I Think All Schools Should Abolish Homework
Greta Thunberg, You Did Not Act in Time
Section 2
Central Text: DeRay Mckesson, Bully and the Pulpit
Liz Jensen, After I Lost My Son, I Realized I Needed to Stop Looking for Closure
Jessica Valenti, A Radical Fix to the World’s Wage Gap: Why Not Just Pay Women More — and Men Less?
Dolores Huerta, from Speech at UCLA
Section 3
Zeynep Tufekci, Do Protests Even Work?
Martin Luther King Jr., I Have Been to the Mountaintop
Virginia Woolf, Thoughts on Peace in an Air Raid
Changing the World: Texts in Conversation
Writing Workshop: Using Personal Experience in an Argument
exploring beyond nonfiction
Shirley Jackson The Lottery
Pablo Picasso Guernica
6 Self-Discovery
Skill Workshop: Understanding Character and Theme in Prose
Judith Ortiz Cofer, Abuela Invents the Zero
Section 1
Billy Collins, On Turning Ten
David A. Robertson, Bookmark
Renée Watson, Half a Moon
Section 2
Central Text: Amy Tan, Rules of the Game
Chetna Maroo, Happiness
Chen Chen, When I Grow Up I Want to Be a List of Further Possibilities
Eugenia W. Collier, Marigolds
Section 3
Oliver de la Paz, In Defense of Small Towns
Amy Silverberg, Suburbia!
James Joyce, Eveline
Self-Discovery: Texts in Conversation
Writing Workshop: Writing an Analysis of Character and Theme
Exploring Beyond Literature
Trevor Noah, Chameleon
Frida Kahlo, The Two Fridas
7 Humanity
Skill Workshop: Understanding Rhetorical Situation
Barbara Bush, Commencement Address
Carl Sagan, A Pale Blue Dot
Section 1
Xochitl Gonzalez, I Wanna Dance with Somebody
Tim Urban, Why Procrastinators Procrastinate
Jeffrey Kluger, How Telling Stories Makes Us Human
Section 2
Central Text: James Baldwin, The Creative Process
Yuval Noah Harari, from Sapiens: A Graphic History, Volume 1
David Palumbo, The AI Lie
Martha C. Nussbaum, What Does It Mean to Be Human? Don’t Ask.
Section 3
Rhiannon Giddens, How Music Shows Us What It Means to Be Human
Francis Fukuyama, Transhumanism
Steven Pinker, A History of Violence
Humanity: Texts in Conversation
Writing Workshop: Writing a Rhetorical Analysis Essay
Exploring Beyond Nonfiction
Lyndsey Croal, The Loneliness of Water
Walt Whitman, That Music Always Round Me
8 Cultures, Conflicts, and Connections
Skill Workshop: Understanding a Poem’s Speaker and Meaning
Claude McKay, The Tropics in New York
Adrienne Su, The Chow Mein Years in Atlanta
Section 1
Kari Gunter-Seymour, Oh You Woman of Appalachia
Thomas King, Borders
Jose Olivarez, Ode to Tortillas
Section 2
Central Text: Natasha Trethewey, Enlightenment
Janika Oza, Fish Stories
Richard Blanco, My Father in English
Arah Ko, Haole Girl
Section 3
Alexandra Chang, Li Fan
Oscar Gonzales, We All Return to the Place Where We Were Born
Eavan Boland, An Irish Childhood in England: 1951
Cultures, Conflicts, and Connections: Texts in Conversation
Writing Workshop: Writing an Analysis of a Poem’s Speaker
Exploring Beyond Literature
Viet Thanh Nguyen, America, Say My Name
Ernie Barnes, Window Wishing
9 Value
Skill Workshop: Understanding Evidence in Argument
Amy Meuers, To Be the Leaders of Tomorrow, Students Need to Learn Essential Skills — Today
Learn Essential Skills — Today
Section 1
Toni Morrison, The Work You Do, the Person You Are
Marie Colvin, Truth at All Costs
Emi Nietfeld, How the SAT Changed My Life
Section 2
Central Text: Florence Williams, from The Nature Fix
Barack Obama, from Dedication of the National Museum of African American History and Culture
Monica Hesse, Tradwives, Stay-at-Home Girlfriends and the Dream of Feminine Leisure
Alfred Archer and Jake Wojtowicz, from Why It's Okay to Be a Sports Fan
Section 3
Ingrid Robeyns, Limitarianism
Bill McKibben, A Shirt Full of Bees
Bryan Caplan, What’s College Good For?
Value: Texts in Conversation
Writing Workshop: Writing an Evidence-Based Argument
Exploring Beyond Nonfiction
Tobi Ogundiran, The Clockmaker and His Daughter
Rebin Kheder, Poetry is Dead!
10 Imagined Futures
Skill Workshop: Close Reading of Prose
Cory Doctorow, Printcrime
Section 1
Susan Palwick, Sparrows
Wendy Xu, The Memory of Soil
Margaret Atwood, Oh Children
Section 2
Central Text: Kurt Vonnegut, Harrison Bergeron
Jacqueline Woodson, Dear Future Ones
Ken Liu, Real Artists
N. K. Jemisin, Valedictorian
Section 3
Kanishk Tantia, Those Left Behind
Tony Hoagland, Peaceful Transition
Nana Kwame Adjei-Brenyah, The Era
Imagined Futures: Texts in Conversation
Writing Workshop: Writing a Close Analysis of Prose
Exploring Beyond Literature
Walter Mosley, Culture Zone: Black to the Future
Alice Pasquini, Neighbors (a window in the sky)
11 Ethics
Skill Workshop: Understanding Style and Tone in Argument
Cevin Soling, Why I Think Students Should Cheat
Chuck Klosterman, from Why We Look the Other Way
Section 1
Fortesa Latifi, Influencer Parents and the Kids Who Had Their Childhood Made into Content
Peter Singer, Is It Okay to Cheat at Football?
Izzie Ramirez, It’s Time to Break Up with Fast Fashion
Section 2
Central Text: Jamaica Kincaid, from A Small Place
Kevin Sites, from In the Hot Zone
William MacAskill, from What We Owe the Future
Michael Sandel, from The Tyranny of Merit
Section 3
Sam Harris, from Lying
George Orwell, Shooting an Elephant
Nelson Mandela, from An Ideal for Which I Am Prepared to Die
Ethics: Texts in Conversation
Writing Workshop: Writing an Analysis of Tone
Exploring Beyond Nonfiction
Ursula K. Le Guin, The Ones Who Walk Away from Omelas
William Stafford, Traveling through the Dark
12 Power
Skill Workshop: Understanding Literary Argument
Anurag Andra, Cherry Coke & Mint Pulao
Gwendolyn Brooks, We’re the Only Colored People Here
Section 1
Langston Hughes, Freedom
Hernando Téllez, Lather and Nothing Else
Percy Bysshe Shelley, Ozymandias
section 2
central text William Shakespeare, The Tragedy of Macbeth
section 3
Nella Larsen, Sanctuary
Solmaz Sharif, He, Too
Octavia Butler, Childfinder
Power: Texts in Conversation
writing workshop Writing a Literary Argument
exploring beyond literature
Elena Ferrante, A Power of Our Own
Jacob Lawrence, . . . again the rebels rushed furiously on our men. — a Hessian soldier, Panel 8
Appendix: Revision Workshops
Appendix: Grammar Workshops
Appendix: MLA Documentation Style
Appendix: Vocabulary and Word Roots
Glossary / Glosario
Text Credits
Index


Advanced Language & Literature
Third Edition| 2026
Renee H. Shea; John Golden; Carlos Escobar; Tiffany Thomas
Authors

Renee Shea

John Golden

Carlos Escobar
Carlos Escobar teaches tenth-grade English and AP® English Literature and Composition at Felix Varela Senior High School in Miami, Florida, where he is also the AP® Program Director. Carlos has been the College Board Advisor for AP® English Literature, an AP® Reader, a presenter at local and national AP® workshops and conferences, and a member of the AP® English Literature and AP® African American Studies Test Development Committees. As part of the College Board’s Instructional Design Team, he contributed to the development, review, and dissemination of the 2019 AP® English Literature and Composition Course and Exam Description. Carlos designed and delivered daily live YouTube lessons streamed globally by the College Board and was the Lead Instructor for AP® Daily, the College Board’s skill-based, on-demand video series accessed through AP® Classroom. He is also a co-author of Bedford, Freeman & Worth’s The Language of Composition and Literature & Composition.

Tiffany Thomas
Tiffany Thomas is a twenty-year dedicated educator and advocate for diversity, equity, and inclusion in the Hilliard City School District. She was an English Language Arts teacher for sixteen years before transitioning to the position of Innovative Media Specialist at Hilliard Bradley High School. During her time in the classroom, Tiffany focused her approach on developing lessons and standards-aligned curriculum for grade-level courses that incorporated culturally relevant teaching practices. She also helped develop the district-wide ELA curriculum and represented her colleagues as a Hilliard Education Association Building Representative. In efforts to create an environment in which every student feels comfortable, accepted, and heard, Tiffany leads teachers in both culturally relevant teaching and restorative practices at her school and throughout the district. She frequently conducts professional development for other HCSD educators to foster inclusive practices throughout the district and presents at conferences such as the Ohio State University Office of Diversity and Inclusion Conference on Diversity, Race, and Learning, NCTE, OCTELA, and Learning Forward.


Advanced Language & Literature
Third Edition| 2026
Renee H. Shea; John Golden; Carlos Escobar; Tiffany Thomas
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Advanced Language & Literature
Third Edition| 2026
Renee H. Shea; John Golden; Carlos Escobar; Tiffany Thomas
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